| Course Name | Current Issues in World Politics |
| Code | Semester | Theory (hour/week) | Application/Lab (hour/week) | Local Credits | ECTS |
|---|---|---|---|---|---|
| GEHU 202 | Fall/Spring | 3 | 0 | 3 | 6 |
| Prerequisites | None | |||||
| Course Language | English | |||||
| Course Type | Service Course | |||||
| Course Level | First Cycle | |||||
| Mode of Delivery | - | |||||
| Teaching Methods and Techniques of the Course | DiscussionCase StudyLecture / Presentation | |||||
| Course Coordinator | ||||||
| Course Lecturer(s) | ||||||
| Assistant(s) | ||||||
| Course Objectives | This class aims to provide students with a general perspective on the main issues and debates in current global politics. It intends to deepen students' understanding of the world by covering various debated issues within the scope of international politics, economics and sociology in a healthy discussion environment. |
| Learning Outcomes | The students who succeeded in this course;
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| Course Description | This course will discuss the main issues in today's world such as globalization, immigration crisis, terrorism, racism, social movements, global warming, gender inequality, the rise of China, Covid-19 pandemic and rising populist trends. The course will analyze the political, economic, social and environmental dimensions of these much-debated conflicts that shape the global world. |
| Related Sustainable Development Goals |       |
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| Core Courses | |
| Major Area Courses | ||
| Supportive Courses | ||
| Media and Managment Skills Courses | ||
| Transferable Skill Courses |
| Week | Subjects | Required Materials |
| 1 | Introduction to some of the basic trends in world politics. | |
| 2 | Globalization | Manfred B. Steger, Globalization: a very short Introduction. Chapter 5, pp. 83-94. |
| 3 | Global Economic Inequality | To see 1: “True Cost”, documentary 2: “The New Rulers of the World”, documentary To read: Manfred B. Steger, Globalization: a very short Introduction. Chapter 5, pp. 83-94. |
| 4 | The Rise of China | To see: “China: Power and Prosperity”, by PBS, documentary. To read /listen to: “Making China Great Again”, article by Evan Osnos (The New Yorker). Available online. |
| 5 | Race and Racism | To see: “Good Hair: Perceptions of Racism” - Short film. To read: Ali Rattansi, A very short introduction: Racism. Chap.1, pp 4-12. |
| 6 | Terrorism, War, and Security | To see: “Hotel Rwanda”, film. To read: “Routledge Handbook of Security studies” edt. by Myriam Dunn Cavelty and Thierry Balzacq, Part 2, section 13: “Terrorism and counter-terrorism” by Oldrich Bures |
| 7 | Climate Change | To see: “This Changes everything”, documentary by Naomi Klein To read: “Climate Change: what everyone needs to know”, by Joseph Room, the preface. |
| 8 | Midterm Exam | |
| 9 | Global migration crisis | To see: “For Sama”, film. To read: “International Migration: A very short introduction” by Khalid Koser (2017) Chapter 1: Why migration matters? |
| 10 | Social Movements | To see: “Athena”,film. To read: “Social Movements and New Technology”, by Victoria Carty (2018), Introduction: the digital impact on social movements. pp.1-17. |
| 11 | Democratic Backsliding and the Rise of Populism | To see: “Die Welle”- the Wave (2008), film. To read: “What is Populism?” By Jan-Werner Müller (2016), introduction: Is everyone a populist? Pp. 1-6. |
| 12 | Gender in Global Politics | To see: “Milk” by Gus Van Sant, film. To read: “The gendered society” by Michael Kimmel, introduction: Human beings, an engendered species, pp. 1-9. |
| 13 | Student Presentations | |
| 14 | Student Presentations | |
| 15 | Student Presentations | |
| 16 | Final Exam |
| Course Notes/Textbooks | Mark Beeson and Nick Bisley, Issues in 21st Century World Politics (Palgrave McMillian, 2010). |
| Suggested Readings/Materials |
| Semester Activities | Number | Weigthing |
| Participation | ||
| Laboratory / Application | ||
| Field Work | ||
| Quizzes / Studio Critiques | ||
| Portfolio | ||
| Homework / Assignments | ||
| Presentation / Jury | 1 | 20 |
| Project | ||
| Seminar / Workshop | ||
| Oral Exam | ||
| Midterm | 1 | 40 |
| Final Exam | 1 | 40 |
| Total |
| Weighting of Semester Activities on the Final Grade | 2 | 60 |
| Weighting of End-of-Semester Activities on the Final Grade | 1 | 40 |
| Total |
| Semester Activities | Number | Duration (Hours) | Workload |
|---|---|---|---|
| Course Hours (Including exam week: 16 x total hours) | 16 | 3 | 48 |
| Laboratory / Application Hours (Including exam week: 16 x total hours) | 16 | ||
| Study Hours Out of Class | 11 | 2 | 22 |
| Field Work | |||
| Quizzes / Studio Critiques | |||
| Portfolio | |||
| Homework / Assignments | |||
| Presentation / Jury | 1 | 20 | |
| Project | |||
| Seminar / Workshop | |||
| Oral Exam | |||
| Midterms | 1 | 30 | |
| Final Exams | 1 | 30 | |
| Total | 150 |
| # | Program Competencies/Outcomes | * Contribution Level | ||||
1 | 2 | 3 | 4 | 5 | ||
| 1 | To be able to have fundamental knowledge about narrative forms in cinema, digital and interactive media, and the foundational concepts relevant to these forms. | |||||
| 2 | To be able to create narratives based on creative and critical thinking skills, by using the forms and tools of expression specific to cinema and digital media arts. | |||||
| 3 | To be able to use the technical equipment and software required for becoming a specialist/expert in cinema and digital media. | |||||
| 4 | To be able to perform skills such as scriptwriting, production planning, use of the camera, sound recording, lighting and editing, at the basic level necessary for pre-production, production and post-production phases of an audio-visual work; and to perform at least one of them at an advanced level. | |||||
| 5 | To be able to discuss how meaning is made in cinema and digital media; how economy, politics and culture affect regimes of representation; and how processes of production, consumption, distribution and meaning-making shape narratives. | |||||
| 6 | To be able to perform the special technical and aesthetic skills at the basic level necessary to create digital media narratives in the fields of interactive film, video installation, experimental cinema and virtual reality. | |||||
| 7 | To be able to critically analyze a film or digital media artwork from technical, intellectual and artistic perspectives. | |||||
| 8 | To be able to participate in the production of a film or digital media artwork as a member or leader of a team, following the principles of work safety and norms of ethical behavior. | |||||
| 9 | To be able to stay informed about global scientific, social, economic, cultural, political, institutional and industrial developments. | |||||
| 10 | To be able to develop solutions to legal, scientific and professional problems surrounding the field of cinema and digital media. | |||||
| 11 | To be able to use a foreign language to communicate with colleagues and collect data in the field of cinema and digital media. ("European Language Portfolio Global Scale", Level B1). | |||||
| 12 | To be able to use a second foreign language at the medium level. | |||||
| 13 | To be able to connect the knowledge accumulated throughout human history to the field of expertise. | |||||
*1 Lowest, 2 Low, 3 Average, 4 High, 5 Highest
